long hair

 

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When I was little I wanted Crystal Gayle’s hair.  I found it fascinating, maybe miraculous.  No disrespect to Ms. Gayle, but doesn’t appeal to me much these days.  I do find these vintage photographs interesting tho.

 

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Do you imagine that this was some kind of club?

flesh tone line

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THE FLESH TONE LINE

“As far as color correction is concerned, all people are basically the same ‘color’ when you define color in terms of hue angle. The variation in our ‘skin color’ is a really variation in tone, or relative lightness-darkness value of the human hue. We all line up on the same line on a vectorscope, this line is called the ‘Flesh Tone Line’ or FTL and its on most vectorscopes.”

So someone with dark skin:

Is the same hue as someone with light skin:

We all line up along that line:

It makes sense though, right?

 

Our skin ‘color’ is largely determined by the amount of the pigment melanin, and blood present in our skin. Melanin and blood color are the same color in all humans, its just the amount and relationship between the two that determine our tone. 

reblogged from http://lonelysandwich.com/page/91 via http://prepshootpost.blogspot.com/2007/10/skin-color.html

for real!?

Is this for real guys?  I’m not judging it as good or bad, I’m just asking because the whole time I was reading this I was waiting for “just kidding.”  It is a funny article.  I think.  One could argue that it would be equally as “off” to have a “monoracial” black man play Obama. In fact, it sounds like something that I would argue.  But NAAMP!? I don’t think that exists.  I googled.  It doesn’t.  I just don’t know how I feel about this…

http://www.huffingtonpost.com/bill-matthews/robert-downey-jr-to-play_b_194003.html

 

Robert Downey Jr. to Play Obama in Biopic

Bill Matthews

(BROOKLYN) Fresh off an Oscar nomination for his comedic turn as a white man wearing black face in Tropic Thunder, Robert Downey Jr. will again cross racial barriers when he portrays Barack Obama in a star-studded movie.

“Playing the president is a challenge, but I know I can pull it off, especially if I can master that cool stride he has–you know, that ‘swagga,’ as CNN might say,” said Downey, who in his next film, Sherlock Holmes, actually plays a white man who doesn’t wear brown makeup.

The Obama biopic is an adaptation of the president’s 1995 bestseller, Dreams of My Father. Ron Howard is directing and Gabrielle Union has signed to star as Michelle Obama…

…Howard was torn casting Downey. Since Obama has a mixed heritage–his father was a black Kenyan and his mother was a white American–Howard knew he was going to upset someone no matter who he chose.

“When I announced that Sam Jackson was going to play Obama, the National Association for the Advancement of Mulattos really tore me a new one,” Howard said. “After he dropped out, I looked hard for someone of mixed race, but let’s face it: Shemar Moore can’t act.”

Hollywood has a history of being unconcerned with skin color when casting African American roles–witness the brown-skinned Diana Ross and Cicely Tyson playing the light-skinned Billie Holiday and Coretta Scott King, respectively. And Angelina Jolie, who is white, played a woman of mixed race, Mariane Pearl, in A Mighty Heart.

Downey’s complexion, however, isn’t that far from Obama’s.

“Honestly,” said Howard, “after Tropic Thunder, when you think of African American men, you think Robert Downey Jr.”

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It’s totally a joke! Filed under ‘comedy news.’  Kinda thought provoking though. And I can sorta see it…

 

disturbing headline

  

Arkansas Democrat-Gazette

Five plead innocent to plotting to burn cross

They conspired to intimidate mother of 3 biracial children, U.S. indictment says

by Amy Upshaw

TEXARKANA – Five men pleaded innocent Friday to federal charges accusing them of plotting to burn a cross last summer in the yard of a white woman who had three biracial children.

A federal indictment unsealed Friday says the men built the cross and attempted to set it on fire to scare then-23-year-old Loretta Marie Slaughter-Shirah into moving out of the Donaldson community.

On June 15, Jacob Wingo, Dustin Nix, Darren McKim, Richard Robins and Clayton Morrison, “did knowingly and willfully combine, conspire and agree to injure, oppress, threaten and intimidate [Slaughter-Shirah] and her children in the free exercise and enjoyment of a right secured by the Constitution … because of race and color,” a portion of the indictment reads.

The indictment also says that while four of the men were at McKim’s house that day, they talked about forcing the family out of the neighborhood because there were “‘niggers’ at the residence.”

Wingo’s mother, Yvette Briggs, said Friday afternoon that her son and his friends were joking when they came up with the idea for the cross.

“It wasn’t meant as racist,” Briggs said. “He made a very fool- ish mistake. He didn’t mean it as a threat at all.”

Slaughter-Shirah could not be reached for comment, but she previously told the Arkansas Democrat-Gazette that she moved away from Donaldson because she no longer felt safe there.

When the events took place last year, she had lived in the mostly white community of about 300 people for only a few weeks. Donaldson is about 15 miles northeast of Arkadelphia…..

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Such a great non-racist joke they were playing!  You can read the rest of the article at http://www.nwanews.com/adg/national/258569/

ella and marilyn

I’m kind of freaking out about this.  As much as I love anyone that I’ve said that said that I love on this blog, I LOVE Ella Fitzgerald!  When it comes down to it, I would rate her #1 vocalist of all time.  A constant on the list of (dead) people I’d like to have dinner with/invite to a dinner party is Ella.  I had no idea about Marilyn!  I just found this story at http://donttouchmymoleskine.wordpress.com/2009/02/18/miguxas-3/

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It’s 1955 and Marilyn Monroe is at the height of her fame. Despite this, she wants to be taken seriously as an artist, like the woman she most admires, jazz icon Ella Fitzgerald, who is also at the peak of her career.

Even though she can’t quite believe her own success, Ella wants more too. She wants the kind of fame Marilyn has. She wants to be in the movies. But to break into Hollywood , she needs to meet the ‘right’ people like the producers and money-men who frequent the ‘living-room of the stars’ Mocambo night club.

But Ella stands no chance of singing at the whites-only Mocambo…until Marilyn steps in and pulls strings like nobody else can!

These two iconic women – both outsiders – come together in an evening of raw emotion and great songs. A true but forgotten moment of American showbiz history re-enacted live on stage.