Unknown's avatar

About Tiffany

I am "biracial", but I'm mostly lots of other things

chastity brown

Never heard of her, but my interest has been piqued.  Cool name.  Cool hair.  The hair story she relays at the end calls to mind the biracial girl who was removed from her classroom.  You can read the interview in it’s entirety HERE and/or check out her website HERE.

Chastity Brown releases High Noon Teeth

Soul singer straddles multiple genres

By Rob van Alstyne

CP: Your prior album, Sankofa, was almost entirely made up of personal confessionals, whileHigh Noon Teeth incorporates more narrative storytelling and poetic metaphor. Why the shift in tone?

Brown: Some of the songs on Sankofa I hope to never sing again because they’re just so personal. That whole album was a reckoning of sorts that I felt like I had to go through to get to where I am now with my music. I was definitely writing much more imaginative songs this time around, rather than just about my personal experiences, and that was new for me. I talked about metaphors in songwriting a lot with Alexei [Casselle of Roma di Luna] and Joe [Horton, a.k.a. Eric Blair of No Bird Sing] while I was writing the album because that was all new terrain for me, and they both write songs just swarming with beautiful images. I don’t feel the need to be as blatant as I used to. This record was really all about pushing outside of my normal comfort zone and trying to take things to the next level creatively. Hopefully fans that have followed me for a while will appreciate that things are changing.

CP: One holdover from Sankofa is the presence of a song about your childhood, growing up biracial in small-town Tennessee (on Sankofa it was called “Bluegrassy Tune”; it’s present onHigh Noon Teeth in a new arrangement titled “Bound to Happen”). It’s an unflinchingly intense narrative (“Well my daddy was a black man and my mom blond hair, blue eyed/You know people would stare at us children/Like we were some suspicious kind”). What led you to feature it again this time around?

Brown: I decided to record that song the very last day I was in the studio for Sankofa when it was still super new. As I was playing it with the band, it rearranged itself and fine-tuned itself so I wanted to present it again. It’s an important song to me. At least once a week probably I still encounter some stupid racial situation. People ask me all the time if my hair is real, and I was at a show where a woman actually grabbed my hair and jerked it out of nowhere. It caught me so off guard and I remember going home and crying and being so angry. I felt conflicted, part of me wanted to educate her and part of me wanted to smack her and say, “How dare you touch me!” So the song is sort of my way of reaching out and taking the educational route and saying this is who I am and what my experiences have been. Depictions of mixed-race people are very popular in the media now and it’s a little strange for me because I’ve always looked this way. Growing up I was constantly made fun of for my hair; apparently now it’s a cool look.

mixed roots!

I am so, so sad to be missing this year’s festival!  It just doesn’t feel right.  If you are in L.A. this weekend, do yourself a favor and attend it.  Shine some light there for me, please.
newlogo

3rd Annual Mixed Roots Film & Literary Festival (TM)

June 12-13, 2010

Japanese American National Museum

369 East 1st Street

Los Angeles, CA

The Mixed Roots Film & Literary Festival is a non-competitive, annual arts festival dedicated to sharing and nurturing storytelling of the Mixed experience. The Mixed experience refers to interracial and intercultural relationships, transracial and transcultural adoptions, and anyone who identifies as having biracial, multiracial, Hapa or Mixed identity.
A word from the lovely and amazing founders:
Dear Festival Supporters!
If you haven’t reserved your spot at the 3rd Annual Mixed Roots Film & Literary Festival, which takes place this weekend at the Japanese American National Museum, 369 East 1st Street , June 12-13, 2010, in downtown Los Angeles, do it now!
Register now! It’s free!
And tickets to the Loving Prize Presentation with Hapa artist Kip Fulbeck and scholar Dr. Maya Soetoro-Ng, President Obama’s sister, are going fast.  Tickets to this event cost $15 for registered Festival attendees and $20 for non-registered Festival attendees. To purchase a ticket to this event, you can call the Museum directly at (213) 625-0414 (credit card only) or pay by check or credit card at the event. Proceeds from this event will go to JANM.
We’re looking forward to seeing you all next week!  We have an amazing Festival line-up filled with talented artists, and fun.  Don’t forget that books & Festival t-shirts will be for sale at the Festival so you can take a little bit of the experience home.  (We can accept cash, checks, and credit cards.)  And bring a cozy sweater in case you get cold — we’re festing inside in a cool air-conditioned room!
See you soon!

Sincerely,
Heidi & Fanshen & Jenni
www.mxroots.org

Please also consider supporting this important, all-volunteer project by making your tax-deductible, secure on-line donation here.

oblivious to racial overtones

I am pained by this story.  I remember being this little girl.  I remember being singled out at times, usually not having anything to do with my hair unless it was mandatory school-wide lice check day.  No one wanted to deal with me then.  And that was fine with me.  But it wasn’t really.  I can only imagine the consequences this incident will have for this little girl.  Her parents really have their work cut out for them now.  I hope they sue and win big!  The damage is done.  Let’s hope it can be undone.  Oh, and I’d like to send the Mudede family a copy of Teri LaFlesh’s Curly Like Me.  All you need is conditioner people.  All you need is conditioner…

Biracial Girl Removed From Classroom Because Of Her Hair

by Amelia Thomson-DeVeaux

VIA

This story is an example of the sad fact that within schools, sensitivity training can only go so far – sometimes, there are unpredictable situations where teachers just have to intuitively react, and often they’re not prepared to do so.  And often, these issues are much larger than they appear on the surface.  Such is the case with the 8-year-old biracial student who was removed from her advanced-placement class because the teacher claimed that she was allergic to the girl’s hair moisturizer.  The teacher first put the girl in the hallway, and then moved her to a different classroom where she found herself in a lower-level class with predominately African-American students.

This behavior seems bizarre enough – but add the fact that the girl was the only student of color  in her school’s accelerated program, and the concerns of her angry parents, who may now sue the school (the NAACP, along with the Department of Education, have already filed a complaint), seem justified.  The girl’s father, Charles Mudede, is black, and says that he had talked to his daughter about resisting pressures to straighten her hair so that she would look more like her white classmates.  The product that so irritated the teacher was a compromise, Mudede said, “something light that kept her hair in its natural state.”

The girl’s parents have a host of questions to which there seem to be no adequate answers: “Why did the teacher think the problem was his daughter’s hair? Why hadn’t the school called the parents? What investigation was being done to pinpoint the source of the problem? And, finally, why did the school seem oblivious to the racial overtones of a white teacher singling out her only black student?”

Mudede says that the situation escalated because no one at the school seemed prepared to answer these basic questions.  He wrote on his blog,

“When we, her parents, were later informed of this incident, we also learned that once my daughter was removed from the class, the teacher felt much better. We were also told that the teacher had experienced something like a fainting spell because of our daughter’s hair. Feeling the seriousness of this situation, we decided not to send our daughter to school until the teacher had medical proof that our daughter’s hair or something in her hair was to blame for the nausea. (The last thing you want to happen to your daughter is for a teacher to faint or vomit at the mere sight of her.)

Days passed and the school took no action. This unresponsiveness left us with no other choice than to turn to a lawyer. The whole thing is a mess. Getting entangled in a racial dilemma is something most black parents do not want for their children. It’s just not worth the trouble. Then again, like I said, if not checked and confronted, the incident will have permanent consequences for my child.”

And although the school is now making limited comments because of the threat of a lawsuit, it definitely seems as though this situation was horrifically mismanaged; without communicating privately with the student and involving the parents, of course this would turn into a humiliating ordeal for a little girl who clearly was already suffering from self-esteem issues.  If the teacher had allergies, that’s something that she couldn’t help.  But to target the student in such a dismissive embarrassing way shows a level of insensitivity that no teacher should have.

disney hasn’t helped

These gender stereotypes, body image issues, and the general superficiality of our culture are even found in our cartoons.  Found in our fairy tales.  They hit us with this stuff right away.  The race stuff too (I’m guessing these charts were created pre-Princess Tiana).  It’s no wonder we’re so far off our center.

pudgy heads of state

The standard of “beauty” for men is clearly different.  Not that anyone is calling these men beautiful, but I highly doubt that Hillary Clinton or Sarah Palin would have risen to the top of the political arena if they were “fat.”  Too bad Sarah Palin’s not fat…

Hail to the Chef: 4 American Presidents Who Loved to Eat

Feeding an appetite for power rarely fills a guy’s belly. These four pudgy heads of state were as happy raiding the pantry as they were creating policy.

Grover Cleveland: The Glass is Always Half Empty

Large, jovial Grover Cleveland – also known as “Uncle Jumbo” – enjoyed his beer. In 1870 (15 years before he became president), Grover ran for district attorney of Erie County, New York, against Lyman K. Bass. It was a friendly contest. In fact, it was so friendly that Cleveland and his opponent drank and chatted together daily. In the interest of moderation, they agreed to have no more than four glasses of beer per day. But soon they exceeded that and started “borrowing” glasses from the next day and the next day until they’d exhausted their ration for the whole campaign – with the election still weeks away. The solution: Each brought his own giant tankard to the tavern, called it a “glass,” and went back to the four-a-day ration.

An Extra-Cuddly Teddy

The standard scoop on Teddy Roosevelt was that he was a scrawny, sickly weakling from New York City who built himself up into a rough, tough cowboy type through vigorous outdoor pursuits. What’s seldom mentioned is that Roosevelt went from skinny boy to robust young man to plump (though vigorous) president to obese (though still active) ex-president. While running on the Bull Moose Party ticket in a 1912 attempt to regain the White House, Roosevelt was described as “an eager and valiant trencherman” (it meant he ate a lot). If the main course was roast chicken, TR would consume an entire bird himself, in addition to the rest of the meal. Not to mention the four glasses of whole milk the portly prez routinely threw back with dinner. Photos and films show an aging Roosevelt carrying a decidedly wide load.

W.H. Taft and His Presidential Privileges

William Howard Taft often dieted because his doctor and his wife told the 290-pound president that he must. But without supervision, Will “the Thrill” didn’t just give in to temptation, he sought it. Once while traveling he asked a railroad conductor for a late-night snack. When the conductor said there was no dining car, Taft angrily called for his secretary, Charles D. Norton, who had probably – under instruction from Mrs. Taft – arranged for the diner to be unhooked. Norton reminded the president that his doctor discouraged between-meal eating. Taft would have none of it. He ordered a stocked dining car attached at the next stop and specified that it have filet mignon. “What’s the use of being president,” he said to Norton, “if you can’t have a train with a diner on it?”

Bill Clinton: With an Assist from Helmut Kohl

President Bill Clinton, who famously frequented McDonald’s, was known for eating whatever was put in front of him. He showed a more discriminating, if just as hungry, side in the company of Germany’s chancellor Helmut Kohl, though. Kohl was called “Colossus,” at least in part because he carried 350 pounds on his 6-foot-4 frame. But, in Kohl, Clinton found a gourmand soul mate. In 1994, Clinton hosted the chancellor at Filomena Ristorante of Georgetown for a lunch at which both consumed mass quantities of ravioli, calamari, and red wine, as well as plenty of antipasto, buttered breadsticks, Tuscan white bean soup, salad, and sweet zabaglione with berries. Each ended the meal by ordering a large piece of chocolate cake to go. Clinton once remarked that he and his German counterpart, though the largest of world leaders, were still too slim to be sumo wrestlers.

two of my favorite things in one

El Ateneo: Library In A Theatre

Buenos Aires, Argentina

elateneo7

elateneo3

elateneo1

“Everyone of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive. But inside our heads—at least that’s where I imagine it—there’s a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you’ll live forever in your own little private library.”— Haruki Murakami